This poster was my first attempt to create an image for a play not yet written. It was also one of the first examples of the influence Saul Steinberg had on my design sensibility. I still love his idiosyncratic parody of the visual cues we typically associate with graphical items regarded as valuable, official or authentic: notary seals, finely illustrated currency, illegible signatures underlined by equally illegible fine print, small handwritten notes in the margins, and such. His work is even better in-person.